Mysskin is an auteur in every sense when it comes to these noir-ish crime thrillers. But all those repeated leg shots? Anjaathe had a whole sequence with the feet alone. I wonder if it turned just pretentious in Yuddham Sei. The action sequence is well choreographed (and reminds of every other Korean; Kitano movie out there). Cheran looks good, but does smash his head against the wall as usual, in despair. Cinematography deserves special mention. Slow; unless you are accustomed to watching those Korean detective movies.
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